Obwohl der dort vorgestellte Affe keine Verbindung zu Kong aufweist, kam der Film in Deutschland unter dem Titel „Panik um King Kong“ auf den Markt. King Kong ist ein US-amerikanischer Abenteuer, Horror- und Fantasyfilm von . Okt. Der erste Film von orientiert sich dann auch an den Skulpturen von Frémiet und bekam den Namen King Kong und die weiße Frau. Seitdem entstanden zahlreiche, sowohl offizielle als auch inoffizielle Neuverfilmungen , Fortsetzungen , Adaptionen und Parodien des Stoffs. Jack findet Dwan und Kong in einer Ebene, in der sich zwei nebeneinander stehende Felsen befinden. Die langsame Handlungsaufbau und die guten Darsteller sorgen dafür, dass die Aktion einen im 2. Captain Englehorn Colin Hanks: Was für eine Leistung! Im Sterben nimmt er Abschied von Ann, die sich unter Tränen ein letztes Mal an das aus seiner Heimat verschleppte Dschungeltier schmiegt. Von John Guillermin Die Fülle an Betrachtungsweisen, die dem Zuschauer angeboten werden, führen zu einer Beliebigkeit der Darstellung, ohne eigenes Profil zu erreichen. Kong kann überwältigt und betäubt und zurück nach New York gebracht werden, wo er als Attraktion ausgestellt werden soll. Während der Film von Kritik und Publikum überwiegend positiv bis begeistert aufgenommen wurde, bemängelten einige, dass das Trickspektakel und nicht die Handlung im Mittelpunkt stehe. Schoedsack produziert wurde, ist ein Meilenstein der Filmgeschichte und läutete die Ära der Spezialeffekte ein. King Kong 7. Yes No Report this. Please help improve this super rtl spiele kostenlos by adding citations to reliable sources. Universal approved of the script with Robert Zemeckis as executive producer, and pre-production for King Kong started. At an archaeological dig in the ancient city of Hamunaptra, bet victor American serving in the French Foreign Legion accidentally awakens a mummy who begins to wreck havoc as he searches for the reincarnation of his long-lost love. Quotes [ first lines ] Manny: An Unexpected Journey The Hobbit: Hollywood Stunt Performers, s—s: He handles his action scenes with a greater sense of orientation, but like Bay, he fails to summon any suspense, thrill or anticipation. Retrieved Casino en ligne dice spinner 2, Peter Jackson was nine years old when he first saw the filmand was torschützen bundesliga 16/17 tears app for android front of the TV when Kong slipped off the Empire State Building. It was re-released in,and What references are made to the original film?
The Williams process did not use bipacking , but rather an optical printer , the first such device that synchronized a projector with a camera, so that several strips of film could be combined into a single composited image.
Through the use of the optical printer, the special effects crew could film the foreground, the stop-motion animation, the live-action footage, and the background, and combine all of those elements into one single shot.
Another technique that was used in combining live actors and stop-motion animation was rear-screen projection.
The actor would have a translucent screen behind him where a projector would project footage onto the back of the translucent screen. It was used in the famous scene where Kong and the Tyrannosaurus fight while Ann watches from the branches of a nearby tree.
The stop-motion animation was filmed first. Fay Wray then spent a twenty-two hour period sitting in a fake tree acting out her observation of the battle, which was projected onto the translucent screen while the camera filmed her witnessing the projected stop-motion battle.
She was sore for days after the shoot. The same process was also used for the scene where sailors from the Venture kill a Stegosaurus.
A tiny screen was built into the miniature onto which live-action footage would then be projected. This miniature rear projection was used in the scene where Kong is trying to grab Driscoll, who is hiding in a cave.
The scene where Kong fights the snake -like reptile in his lair was likely the most significant special effects achievement of the film, due to the way in which all of the elements in the sequence work together at the same time.
The scene was accomplished through the use of a miniature set, stop-motion animation for Kong, background matte paintings, real water, foreground rocks with bubbling mud, smoke and two miniature rear screen projections of Driscoll and Ann.
Over the years, some media reports have alleged that in certain scenes Kong was played by an actor wearing a gorilla suit.
King Kong was filmed in several stages over an eight-month period. Some actors had so much time between their Kong periods that they were able to fully complete work on other films.
Cabot completed Road House and Wray appeared in the horror films Dr. X and Mystery of the Wax Museum. She estimated she worked for ten weeks on Kong over its eight-month production.
Some of these scenes were incorporated into the test reel later exhibited for the RKO board. The script was still in revision when the jungle scenes were shot and much of the dialogue was improvised.
The jungle set was scheduled to be struck after Game was completed, so Cooper filmed all of the other jungle scenes at this time.
In July , the native village was readied while Schoedsack and his crew filmed establishing shots in the harbor of New York City. Naval airfield on Long Island.
In August , the island landing party scene and the gas bomb scene were filmed south of Los Angeles on a beach at San Pedro, California.
The scene of Ann being led through the gates to the sacrificial altar was filmed at night with hundreds of extras and lights for illumination.
A camera was mounted on a crane to follow Ann to the altar. The Culver City Fire Department was on hand due to concerns that the set might go up in flames from the many native torches used in the scene.
Meanwhile, the scene depicting a New York woman being dropped to her apparent death from a hotel window was filmed on the sound stage using the articulated hand.
In September—October , Schoedsack returned to the sound stage after completing the native village shoots in Culver City.
The decks and cabins of the Venture were constructed and all the live-action shipboard scenes were then filmed.
The New York scenes were filmed, including the scene of Ann being plucked from the streets by Denham, and the diner scene.
Following completion of the interior scenes, Schoedsack returned to San Pedro and spent a day on a tramp steamer to film the scene of Driscoll punching Ann, and various atmospheric harbor scenes.
The Shrine Auditorium in Los Angeles was rented for one day to film the scenes where Kong is displayed in chains and the backstage theater scenes following his escape.
In December — January , the actors were called back to film a number of optical effects shots which were mostly rear-screen projections.
Wray spent most of a twenty-two hour period sitting in a fake tree to witness the battle between Kong and a Tyrannosaurus. She was sore for days after.
Many of the scenes featuring Wray in the articulated hand were filmed at this time. Stunt doubles were filmed for the water scenes depicting Driscoll and Ann escaping from Kong.
A portion of the jungle set was reconstructed to film Denham snagging his sleeve on a branch during the pursuit scene. Originally, Denham ducked behind a bush to escape danger, but this was later considered cowardly and the scene was re shot.
The final scene was originally staged on the top of the Empire State Building, but Cooper was dissatisfied and re shot the scene with Kong lying dead in the street with the crowd gathered about him.
Murray Spivack provided the sound effects for the film. Spivak created the hisses and croaks of the dinosaurs with an air compressor for the former and his own vocals for the latter.
The vocalizations of the Tyrannosaurus were additionally mixed in with puma screams. Bird squawks were used for the Pteranodon.
Spivak also provided the numerous screams of the various sailors. For budget reasons, RKO decided not to have an original film score composed, instead instructing composer Max Steiner to simply reuse music from other films.
Steiner completed the score in six weeks and recorded it with a piece orchestra. The studio later reimbursed Cooper. Steiner used a number of new film scoring techniques, such as drawing upon opera conventions for his use of leitmotifs.
The film was preceded by a stage show called Jungle Rhythms. Kong cast and crew attended and Wray thought her on-screen screams distracting and excessive.
It was re-released in , , , and Variety thought the film was a powerful adventure. Even allowing for its slow start, wooden acting and wall-to-wall screaming, there is something ageless and primeval about "King Kong" that still somehow works.
In the 19th and early twentieth century, people of African descent were commonly visually represented as ape-like, a metaphor that fitted racist stereotypes, further bolstered by the emergence of scientific racism.
Kong did not receive any Academy Awards nominations. Such a category did not exist at the time and would not exist until The film has since received some significant honors.
In , Kong was named one of the 50 best American films by the American Film Institute , and, in , the film was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry.
King Kong was re-released in , , , and ; each time to great box office success. These scenes were as follows: After the re-release, the film was sold to television first being broadcast March 5, In , a 16mm print, including the censored footage, was found in Philadelphia.
The cut scenes were added to the film, restoring it to its original theatrical running time of minutes. This version was re-released to art houses by Janus Films in Over the next two decades, Universal Studios carried out further photochemical restoration on King Kong.
This was based on a release print, with missing censor cuts taken from a print, which "contained heavy vertical scratches from projection.
After a 6-year worldwide search for the best surviving materials, a further, fully digital, restoration utilizing 4K resolution scanning was completed by Warner Bros.
King Kong was also, somewhat controversially, colorized in the late s for television. In , King Kong was one of the first films to be released on LaserDisc by the Criterion Collection , and was the very first movie to have an audio commentary track included.
The Haver commentary was preserved in full on the FilmStruck streaming service. Those included a Turner 60th anniversary edition in featuring a front cover which had the sound effect of Kong roaring when his chest was pressed.
It also included the colorized version of the film and a minute documentary, It Was Beauty Killed the Beast Classics label in The King Kong film and character inspired imitations and installments.
In , Italian producer Dino De Laurentiis released his version of King Kong , a modern remake of the film, which was followed by a sequel in titled King Kong Lives.
Legendary Pictures and Warner Bros. From Wikipedia, the free encyclopedia. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
This section needs additional citations for verification. This section needs expansion. You can help by adding to it. Historical Journal of Film Radio and Television.
Retrieved January 7, Retrieved November 26, Archived from the original on April 1, Retrieved July 3, Ballantine Books, a division of Random House.
Hollywood Stunt Performers, s—s: A Biographical Dictionary 2nd ed. Making of King Kong: The Story Behind a Film Classic.
See also Spawn of Skull Island Movies of the Thirties. The New York Times. In Woods, Paul A. Cooper denied any performance by an actor in a gorilla costume in King Kong Perhaps a human actor was used in a bit of forgotten test footage before the film went into production, but thus far the matter remains a mystery.
Functions of dialogue underscoring in American feature film. Retrieved March 28, Archived from the original on January 26, Retrieved January 26, Retrieved 5 January Retrieved 21 June The Wilkerson Daily Corporation: Grant, Barry Kieth ed.
The Dread of Difference: Gender and the Horror Film. University of Texas Press. Implicit knowledge, historical dehumanization, and contemporary consequences".
Journal of Personality and Social Psychology. A Hollywood Icon in World Culture. They encounter and kill a Ferrucutus ferrus.
The rescue party is then caught in the middle of a pack of Venatosaurus saevidicus and the herd of Brontosaurus baxteri they are hunting, and five people are killed, including cameraman Herb.
The rest of the rescue party come across a swamp where Baxter and two others leave the group. The rest cross the swamp on rafts, only to be attacked by " Scorpio-pedes ", as well by a " Piranhadon ", which devours three sailors.
The rescue party is making their way across a fallen log over a ravine when Kong attacks. Five crewmen, including Hayes and Choy, are killed after being thrown off the log, and the rest of the crew ride the log down the ravine and land in a pit.
Kong returns to Ann and rescues her from three Vastatosaurus rex. Kong takes her to his lair in the mountains. The remaining rescue party find the pit to be full of giant insects.
Lumpy is killed by the maggot-like Carnictics sordicus while two others are killed by spider-like creatures. As Jack continues searching for Ann, Carl decides to capture Kong.
As Kong fights the swarm, Ann and Jack escape. They arrive at the wall with Kong pursuing them, and Ann becomes distraught by what Carl plans to do.
Kong bursts through the gate and attempts to get her back, killing several sailors, but is subdued when Carl knocks him out with chloroform.
Ann is played by an anonymous chorus girl, and Kong becomes enraged after realizing that the girl on stage is not Ann.
After breaking free from his chrome-steel chains, he wrecks the theater and chases Jack and attempts to search for Ann as well. Kong knocks Jack out by stopping his car and flipping it, then encounters Ann again.
Kong and Ann share a moment on a frozen pond in Central Park until the U. It was Beauty killed the Beast. In addition, director Jackson with makeup artist Rick Baker as the pilot and gunner on the airplane that kills the title character, his children appear as New York children, The Lord of the Rings co-producer Rick Porras appears as a gunner in an airplane, and Bob Burns and his wife appear as New York bystanders.
Frequent Jackson collaborator Howard Shore makes a cameo appearance as the conductor of the New York theater from where Kong escapes. Watts, Black, and Brody were the first choices for their respective roles with no other actors considered.
Barnum  and Orson Welles. It was just to capture the spirit. I had tapes of him drunk off his ass. Peter Jackson was nine years old when he first saw the film , and was in tears in front of the TV when Kong slipped off the Empire State Building.
The studio was adamant to work with Jackson on his next project  and, in late ,  offered him the chance to direct a remake of the film Creature from the Black Lagoon.
Jackson turned down Planet of the Apes and because Weinstein was taking longer than expected to buy The Lord of the Rings rights, Jackson decided to move forward on King Kong.
Universal would receive distribution rights in the United States, while Miramax would cover foreign territories.
Jackson was also warranted the right of final cut privilege , a percentage of the gross profits,  as well as artistic control ; Universal allowed all filming and visual effects to be handled entirely in New Zealand.
They would come into conflict with Denham during his filming, and they would uncover a hidden Kong statue and the map of Skull Island.
Instead of a playwright, Jack was the first mate and an ex- World War I fighter pilot still struggling with the loss of his best friend, who had been killed in battle during a World War I prologue.
The camera-man Herb is the only supporting character in the original draft who made it to the final version. The fight between Kong and the three V.
In the draft, Ann is actually caught in the V. Universal approved of the script with Robert Zemeckis as executive producer, and pre-production for King Kong started.
The plan was to begin filming sometime in for a summer release date. Jackson and Walsh progressed with a second draft script, sets were being designed and location scouting commenced in Sumatra and New Zealand.
Minnie Driver was also being reportedly considered. Universal abandoned King Kong in February  after Weta Workshop and Weta Digital had already designed six months worth pre-production.
With the financial and critical success of the film The Fellowship of the Ring and the film The Two Towers ,  Universal approached Jackson in early ,  during the post-production of The Return of the King , concerning his interest in restarting development on King Kong.
He shared that fee with co-writers Walsh which also covered her producing credit and Boyens. Schoedsack originally intended to depict giant spiders emerging from the rock to devour their bodies.
This was cut from the original release print, and remains known to Kong fans only via a rare still that appeared in Famous Monsters of Filmland.
Jackson included this scene and elaborated upon it. The majority of the SS Venture scenes were shot aboard a full-scale deck constructed in the parking lot at Camperdown Studio and then were backed with a green screen, with the ocean digitally added in post.
Universal only agreed to such an outlay after seeing a screening of the unfinished film, to which executives responded enthusiastically.
He then traveled to Rwanda , observing the actions and behaviors of gorillas in the wild. Apart from Kong, Skull Island is inhabited by dinosaurs and other large fauna.
The marketing campaign started in full swing on June 27, , when the teaser trailer made its debut, first online at the official Volkswagen website at 8: That trailer appeared in theatres attached to War of the Worlds , which opened on June These diaries are edited into broadband-friendly installments of three or four minutes each.
They consist of features that would normally be seen in a making-of documentary: A novelization of the film and a prequel novel entitled King Kong: The Island of the Skull were also written.
There was also a hardback book entitled The World of Kong: Jackson has expressed his desire to remaster the film in 3-D at some point in the future.
King Kong received positive reviews from critics. The Lost Empire and Treasure Planet. Shore completed and recorded several cues before he and Jackson parted ways.
The three versions that came out are a single disc full screen , a single disc widescreen , and a two-disc Widescreen Special Edition.
The film was spread onto the first two discs with commentary by Peter Jackson and Philippa Boyens, and some featurettes on discs one and two, whilst the main special features are on disc three.
The extended film amounts to total minutes. From Wikipedia, the free encyclopedia. King Kong Theatrical release poster. Naomi Watts as Ann Darrow, a struggling vaudeville actress who is desperate for work.
Carl first meets her when she tries to steal an apple from a fruit stand. Further into the voyage, she falls in love with Jack and forms a special relationship with Kong.
Due to his debts, Carl starts to lose his moral compass and obsesses over his film to the point that he disregards safety. Adrien Brody as Jack Driscoll , a screenwriter who falls in love with Ann.
He unwittingly becomes part of the voyage when, while delivering a script to Denham, he is deliberately delayed by the latter before he can get off of the Venture.
Englehorn shows a dislike for Denham, presumably because of his obsessive nature.